“Winston turned a switch and the voice sank somewhat, though the words were still distinguishable. The instrument (the telescreen, it was called) could be dimmed, but there was no way of shutting it off completely … Winston kept his back turned to the telescreen.”

- from 1984 by George Orwell

They have become the commercials they have been exposed to.   They just can’t stop craving the things they see advertised.  They recite skits they hear on commercials just like people often used to sing the melodies they heard on cigarette commercials from the 1960’s.  It is naive to assume that we can subject ourselves to this onslaught without ill effect.

Please listen to the whole album using the player below.

Or, if on an incompatible device, at this alternative site:

http://soundcloud.com/seandmccann/sets/the-story-of-swan-act-1-scenes

Act 1

The songs on the first album (Act 1) are broken into three scenes:

Scene 1 - The paths that you take

                 I.   Tabula Rasa

                 II.  Education, Graduation, Expectation

                 III. Big Potential

                 IV. Garbage In, Garbage Out

                 V.   Roads

Scene 2 - Free me or kill me

                 I.    Packing Her Bags

                 II.   Journey of a Lifetime

                 III. Smalltown Waltz

                 IV.  All of This is Yours

Scene 3 - Until the world knows my name

                 I.    Through the Desert to the City, Through Others to Ourselves

                         Suites 1 - 4

                 II.   Photoshoot

                 III. The Path of Least Resistance

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To Purchase please go to:

emusic    

amazon     amazon uk

gogoyoko

itunes usa   itunes uk

music is here

meteli.net

The Story of Swan, Act 1 

Contact:

thestoryofswan@gmail.com

Short Story

The smell had grown intolerable, and at seven thousand feet above sea-level it was too cold to open the windows. Where the heck was it coming from? Twenty four hours straight in a run down old Corolla had left her strained. The milkshake had spilled into a heating vent a couple of hours ago. Its molecules, precisely drawn and forced together by scientists searching for that intersection of optimal taste and lowest cost, were unravelling. Something had to be done, but, it was keeping her awake. That, and the electronic thud and crash of an old Soft Cell song. It could all wait until the next rest stop, whenever that would be. It seemed like she had been on Interstate 40 for a couple of lifetimes, or at least a frozen decade.


She was heading into her own story, with only the faintest hope of success, but she had a direction: West, and she had a motive: Fame. That vague promise would be enough to punch her way through any barrier put in front of her. True, that was the same for every other wannabe in Tinseltown, but this was different. Of course it was. She laughed out loud, and for one briefest drop of moment realized she was acting all of this out. To herself? To God? To some unknown audience in the future? She expelled that thought like an ejector seat, before she could even have time to think about it. Before any imprint could take hold in her brain. It was far too uncomfortable a debate to be having with herself at this moment in time, in this out-of-body experience of a car journey. 

Instead she started thinking of all the road movies she’d ever scene, and assembled a montage of tires screeching out of driveways and of myriad horizons stretching off into the big country. So many different partnerships and stories, but always one thing keeping it all together: hope of somewhere better over the next hill, around the next outcrop. It’s the American way to find something better isn‘t it? To lift oneself up by the boot-straps and move on up. It’s a patriotic duty, the engine that moves us all forward. But no one talks about the next part. What if the place you find is as uninspiring as the life you left behind? No fairytale ends with: “Unhappily ever after”.

But disappointment can’t happen in Hollywood. All the structures that defined who she used to be will be gone, replaced by anything providing it was exciting. If it gave her the slightest moment of doubt, she was going to do it, and she was going to succeed in leaving her old-self behind forever. She was waiting for a metamorphosis to take place like all the stories of fame and celebrity she had absorbed since she was a little girl. Stars are born from almost nothing, just elements that gather at the right moment in time and space, getting denser and denser until gravity can hold on no more and the searing white heat becomes unstoppable. Destiny was calling her.

The road had crested the Arizona Divide, and was now sliding back down, slaloming through the Ponderosa pine forests, following the old Route 66. In front of her lay California.

The Story of Swan (An Alternative Opera)



The Story of Swan is a modern day three-act opera set to a contemporary musical background, exploring our search to establish some form of identity and how that process is shaped in the celebrity obsessed world we inhabit in the early part of the 21st century. With everyone seemingly desperate to grasp their fifteen minutes of fame-fame-fatal-fame…for their sixty snatched seconds in the searing heat of the spotlight…for their five page full color glossy spread in People magazine…for their face to be the front of a forty-five second frozen food store commercial…

Swan, a ‘plain-Jane-girl-next-door type’ leaves her middle-of-nowhere monochrome town on her quest for some ray of recognition. The enlightening journey takes her from her dreary, dimly lit forty watt bulb existence to the non-stop twenty four hour, million megawatt, trillion terabyte neon sign that is H.O.L.L.Y.W.O.O.D. and it’s never ending multitude of wannabes, shuddabeens and nevagonnabes.

However it’s only a short ride over the hills to the San Fernando Valley and the parallel underside of the entertainment industry, where flesh is commoditized in different ways. Finally the door to fame is opened and through it comes her eventual fate; a media frenzy and a worldwide audience witnessing her last breath.


The Story Of Swan was conceived & written by Sean D. McCann (Founder member & main songwriter with Audioweb, Bass player with Ian Brown / Badly Drawn Boy) whilst observing the wildlife in West Hollywood, Los Angeles.

Act 1 covers her formative years, the reasons behind her quest, and the inevitable path west to Los Angeles.
It was performed and recorded in Brooklyn, NY with the help of the following musicians: Melati Malay (Lavalier / Young Magic), Kenneth Harris (The Films), Ward Williams (Jump Little Children) and Alex Thomas (Air / Badly Drawn Boy)

Acts 2 & 3 are in progress, and will be released during the following 12 months. In completion, all 3 acts will be performed as one piece in a multi-faceted production including musicians, dancers and film, with the aim of being a touring entity after a short residence in New York City.


TOURING PRODUCTION OUTLINE:

The Story of Swan will be a staged spectacle of musical narrative able to tour small to mid-sized venues (200-1000 people) bringing a cohesive and contemporary take on the world of musical theatre.

Instead of lead roles and stage production, a rock band will play a central role in an ensemble of 7-8 musician/players, who at any time can take more theatrical roles with any dramatic additions taking place via visuals, lighting and other performances (dance, acting, etc).

The aim is to use the narrative of the plot but not make it as obvious as orthodox musical theatre with its dependency on actors. Instead one is left to flesh out ones own interpretation of the story as it unfolds, much as in the same way that classic concept albums do. In my own example I never really knew the intricacies to the story of 'Sgt. Pepper' (was there one other than the Lonely Hearts Club Band?), but I had my own opinions and the made my own plot & narrative much as I did with most albums whether 'conceptual' or not.

The end result will be to create a piece of work that has to be experienced in it's fullest: live and complete. In a way, this flies in the face of modern access to music: single digital downloads and the obsolescence of the album, something which has been recognised by the behemoths of the industry (think Green Day musical & Bono & Edge's Spider-man show as examples.) But these are huge Broadway events for good or ill, and The Story of Swan is a foray into musical theatre that, at it's heart, holds onto the desire, by it's modest scale, imaginative use of imagery and ideas, and orthodox rock & roll touring techniques, of bringing a musical story to the people in more humble venues, in a more approachable way.